About

Ko Puke Atua te maunga,
ko te Awakairangi te awa,
he Pākehā au.
I tipu ake au I Pito-one, I te rohe o Te Āti Awa.
Ināianei, e noho ana au ki Taputeranga Island Bay
ki Te Upoko o te Ika-a-Māui.
Nō Wēra, nō Hōrana, nō Ingarangi hoki aku tīpuna.
Ko Matthew tāku hoa tāne, Ko Robin,
rātou ko Abel, ko Lane aku tamariki.
Ko Bronwyn Holloway-Smith tōku ingoa.

Dr Bronwyn Holloway-Smith (Pākehā) is an artist and author based in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. She works across multiple platforms, both individually, and with a varying collection of creative collaborators. Her research interests span national identity, public art, new technologies, and the power dynamics controlling knowledge and information—particularly in the context of Aotearoa New Zealand.

Many projects have stemmed from an examination of, and engagement with, new scientific and technological developments and the futuristic ideals and challenges they present and investigations into the entanglement of systems that shape and influence culture, technology and politics.

Her works have examined how shifts in technology impact on the creation and preservation of culture – directly utilising modern-day copying process to digitally recover or preserve pieces of lost or forgotten cultural items. She has also challenged many core values established in art, especially around the primacy of physical encounter, a heavy investment in the original, and a strong adherence to traditional models of ownership.

Her works often allow for – and encourage – direct user engagement through digital methods of reproduction. This is often activated by the use of Creative Commons licensing as a means of legally permitting the resulting user-generated works. In these projects, control is taken away from the artist, the collector and the gallery, and placed in the hands of the user – echoing an interest in issues around the democratisation and control of culture rather than the making of the objects for display.

Research Interests

Contemporary art. Investigative art. Public Art. Murals. Sculpture. Installation. New Media. Internet culture. Internet ethics. Participatory practice. New Zealand national identity. New Zealand modernist art history. Copyright.

Qualifications

  • PhD Fine Arts, Massey University, 2019
  • PADI Advanced Open Water Diver, Dive Wellington, 2015
  • HLS1x: Copyright, Harvard University: edX, 2013
  • Bachelor of Fine Arts (First Class Honours), Massey University, 2006

Selected Exhibitions & Projects

2025 The Wheel of Avalon, multimedia installation. The Dowse Art Museum, Te Awakairangi Lower Hutt, 30 Aug 2025-1 Feb 2026. Curator: Dr Chelsea Nichols.

2019

Guy Ngan: Public Art Hunt, invited research project. Artspace Aotearoa, Tāmaki Makaurau Auckland, Jun 2019 – Aug 2020. Curators: Remco De Blaiij and Lachlan Taylor.

2018

The Southern Cross Cable: A Tour, multi-media installation. Included in “This Is New Zealand”, City Gallery Wellington, 3 Mar-15 Jul 2018. Curators: Robert Leonard and Aaron Lister.

2016

It behooves wired people to know a few things about wires, invited art project. Auckland Art Fair 2016, The Cloud, Auckland.

Third child born.

2015

2015 National Contemporary Art Award, Waikato Museum, Hamilton, 18 Jul – 1 Nov 2015

PhD confirmed.

Aotea – It’s Our Fault Too curated by Petri Saarikko Te Whare Hēra Gallery, Clyde Quay Wharf, Wellington, 16 – 29 May 2015

The levelling of Puke Ahu, featuring ‘old brick; good-bye.’ [multimedia installation], Enjoy Public Art Gallery offsite project, Puke Ahu (Mt Cook), Te Whanganui-a-Tara Wellington, 7 – 21 Mar 2015, curator: Emma Ng

2014

Goodnight Kiwi or: Tonights broadcast has now ended, regular transmission will resumer at 6:00am, curated by Mark WilliamsFilmessay.com, Italy, December 2014-January 2015

PhD (prospective) commenced.

Te Ika-a-Akoranga, (artwork installation), commission by JWT Auckland and Letting Space, June 2014-2019, J. Walter Thompson Office, Auckland and online. Curators: Sophie Jerram and Mark Amery.

Wunderrūma: New Zealand Jewellery, The Dowse Art Museum, 21 June – 28 September 2014

2013

ikono On Air Festival, ikono TV, Berlin and online, 6-29 September 2013

Parkin Drawing Award 2013 finalist exhibition
New Zealand Academy of Fine Arts, Wellington, 26 Jul-25 Aug 2013

Among the Machines: Australian and NZ Artists, Pioneer City installation, Dunedin Public Art Gallery, Dunedin, 6 Jul-3 Nov 2013, curators: Su Ballard & Aaron Kreisler.

Ghosts In The Form Of Gifts, Makertorium, Te Papa Tongarewa Museum of New Zealand, Wellington, 27 April 2013

Destination Pioneer City (video), collaboration with Simon Ward. CoLab New Terrains Commission, Air New Zealand in-flight entertainment system, international flights, Jan-March 2013. Curator: Melissa Laing

Also selected for screening at: -[2013 NZ International Film Festival] Auckland, 20-23 Jul 2013; Wellington, 3-10 Aug 2013. Director: Bill Gosden -Between Islands/Entre Islas International Videoart Festival, group exhibition. Portugal, Mexico, Spain, Nicaragua 2016-17. Curator: Rob Garrett. -To & Fro, Tauranga Art Gallery, Tauranga, 8 Feb – 17 Jul 2016, curator: Mark Williams.

2012

Second child born.

Ménage à trois: Artist-run Spaces Exchange in the Asia-Pacific Region, XYZ Collective, Tokyo, Oct 5 – 28 2012; TCB artinc., Melbourne, Oct 24 – Nov 10 2012; Ménage à trois: Artist-run Spaces Exchange in the Asia-Pacific Region, New Zealand Curator: Claudia Arozqueta

The Obstinate Object, artwork: ‘Whisper Down The Lane’ (collaboration with Antony Pelosi). City Gallery Wellington, 24 February–10 June 2012. Curator: Aaron Lister and Abby Cunnae.

Also exhibited at: -Makertorium, Te Papa Tongarewa Museum of New Zealand, Wellington (2013) -Social Interface, RAMP, Hamilton, 25 April – 16 May 2012. Curator: Melanie Oliver -Improbable Objects
What It Is, Chicago, IL, USA, 29 March–28 April 2012. Curator: Tom Burtonwood.

2011

10:13, The Engine Room, Massey University School of Fine Arts, Wellington, 3–19 November 2011. Curators: Kate Adolph and Johnathan Titheridge

Small & Beautiful Takeaways, Mahara Gallery, Waikanae, 14 August – 13 November 2011

Game On, Hastings City Art Gallery, Hastings, 9 July – 2 October 2011. Curators: Jacob Scott and John Walsh

Pioneer-City.com (multimedia installation). Letting Space public art commission. Ground Floor, Soho Apartments, 80 Taranaki St, Wellington, 17 June – 10 July 2011. Curators: Mark Amery and Sophie Jerram

Pioneer City (Billboard) (solo). Ghuznee St Art Billboard, Wellington, 28 March – July 2011

Place Makers, The Engine Room, Wellington, 17 March – 9 April 2011. Curators: Anne Noble, Amanda Yates and Jenny Gillam

Lost and Found, Bartley + Company Art, Wellington, 2-27 March 2011

CALH 2011, Flock House, Bulls, 11-13 February 2011. Curator: Sarah-Jane Parton

The Un-Sited, Hancock Gallery: City Gallery Wellington, 29 January – 1 May 2011. Curator: Aaron Lister

2010

Surplus and Creativity, DOC Conservation House, Wellington, 15-26 November 2010

Colonial Real Estate, presenting the new territories, Page work and website, Hue & Cry Journal, Issue 4, launched 24 June 2010, ISSN 1178-2374

First child born.

2009

Ringworm, Clubfoot Initiative, Wellington, 19 December 2009. Curator: Melanie Oliver

Ghosts in the form of gifts, Permanent installation, Executive Seminar Suite, Massey University Wellington and online, unveiled 8 December 2009

2008

Travels in Europe and South-East Asia.

The Third Artist’s Film Festival, New Zealand Film Archive mediaplex, Wellington, 11 April – 17 May 2008. Also shown at The Physics Room, Christchurch, 4-7 June 2008. Curator: Paula Booker

Séance for Nam June Paik, School of Fine Arts Gallery Basement, Christchurch Arts Centre, Christchurch, New Zealand. Screened as part of Tending Networks: the fifth Aotearoa Digital Arts (ADA) symposium, and in conjunction with The Physics Room’s public exhibitions programme, 23 February 2008. Curator: Dan Agnihotri-Clark

Civilly Unioned.

2007

Living Together, Hirschfeld Gallery: City Gallery, Wellington, 23 November 2007 – 27 January 2008. Curator: Jessica Reid

Mighty Box, Square2: City Gallery, Wellington, 5 November – 9 December 2007

Territorial Pissings , The Engine Room Gallery, Wellington, 8-25 August 2007. Curator: Caroline Johnston

2006

An Introduction to the Theory of Everything, Hirschfeld Gallery: City Gallery, Wellington, 21 December 2006 – 11 February 2007. Curator: Jessica Reid

Wildlife (solo), Enjoy Public Art Gallery, Wellington, 27 October – 5 November 2006

The Drawing Show, The Engine Room Gallery, Wellington, 16 August – 1 September 2006

Working Title, Show Gallery, Wellington, 13 July – 5 August 2006

Makebelieve, Rm 103, Auckland, 6-15 July 2006

Draw’n’, 110 Devon St New Plymouth, 24-25 June 2006. Curators: Bruce Phillips and Justin Morgan

Contracts & Professional Positions

Current: Co-Director, Public Art Heritage Aotearoa New Zealand (part-time, 2018-present)

WCC Public Art Panel funding towards adding another approx. 30 works to publicart.nz (contract via PAHANZ - in progress)

2024-2025 Lotteries Environment & Heritage Funded project to add another approx. 70 works to publicart.nz (contract via PAHANZ)

2024 WCC Public Art Panel funding towards adding another approx. 30 works to publicart.nz (contract via PAHANZ)

Programme manager (contract) [Asian Aotearoa Arts 2024 programme] (https://www.aaah.org.nz/)

Publication project manager (contract), Asian Aotearoa Arts publication, ‘Past, Present Futures: 10 years of Asian Aotearoa Arts’

Public Art Specialist, Parnell Baths Engagement Signage (contract via PAHANZ), Auckland Council, Tāmaki Makaurau Auckland

2020-2023 Senior Advisor Strategic Projects, Pro-Vice Chancellor’s Office, Toi Rauwhārangi College of Creative Arts Te Kunenga Ki Pūrehūroa Massey University

2015–2017 Project Director, E. Mervyn Taylor mural search & recovery project, CoCA Massey

2011–2020 Teaching & Learning Projects Advisor, CoCA Massey

2010–2011 Assistant to the Research Directors, CoCA Massey

2010 Conference Manager, IE2010: The 7th Australasian Conference on Interactive Entertainment, CoCA Massey

2008–2009 Project Coordinator, One Day Sculpture Litmus Research Initiative, School of Fine Arts, Massey University

2007–2011 Executive Secretary and Website Redevelopment Project Manager, Unlimited Potential (ICT Professionals Network)

2007 Administrator, New Zealand Universities Women in Leadership Programme

2006 Conference Coordinator, Expanding Documentary Conference, School of Fine Arts, Massey University

Board or Governance Roles

Current: Chair, Wellington City Council Creative Communities Scheme Assessment Panel (2022-present; 2 rounds per year)

2008–2014 Director and Co-Founder, Creative Freedom Foundation (NZ artists advocacy group)

2008–2012 Trustee, Enjoy Public Art Gallery

Mentorships and Judging

2016/2018 Judge: NZ Open Source Awards

2013-2015 CC Arts Mentor, Creative Commons Aotearoa New Zealand

Distinctions

Prizes

2019 Finalist, Ockham New Zealand Book Awards, for Wanted: The Search for the Modernist Murals of E. Mervyn Taylor (Massey Press: 2018)

2015 Winner, National Contemporary Art Award

2013 Finalist, Parkin Drawing Award

2012 Winner, Award for Open Source in the Arts, NZ Open Source Society

2010 Winner, Award for Open Source in the Arts, NZ Open Source Society

Awarded Commissions

2013 Te Ika-a-Akoranga, multi-platform art installation, Letting Space and J. Walter Thompson

2012 Video commission for Air New Zealand’s in-flight entertainment system, CoLab, Auckland University of Technology (AUT). Completed May 2012, screened December 2012-February 2013.

2010 Billboard commission, Wellington City Council Public Art Panel. Completed March-July 2011.

2010 Public art project commission: Pioneer City Showroom Letting Space. Completed June-July 2011.

2009 Awarded 10th Anniversary Commission, Massey University Wellington, Acquisitions Team. Completed 2009.

Scholarships

2014 Massey University Doctoral Scholarship

Selected Invited Public Presentations

Saving Aotearoa’s Public Art Heritage, Monica Brewster Lecture, Govett Brewster Art Gallery, 15 August 2023

Going Public with Guy Ngan, guest speaker, Wellington Sculpture Trust Annual Review , NZ Portrait Gallery, 2 August 2022

New Zealand’s Mid-Century Public Art, presenter and panel chair (panellists: Dr Duncan Joiner and Gregory J. Smith). Te Papa Tongarewa Museum of New Zealand, 24 April 2021.

Guy Ngan: Public Art Hero, presenter. Dunedin Public Art Gallery, 10 April 2021.

Guy Ngan: Public Art Hero, presenter. Artspace Aotearoa, 14 October 2020.

Aotearoa’s Public Art: Is it Worth Protecting?, presenter. Auckland Art Gallery Toi o Tāmaki, 29 February 2020.

On Investigative Art, panel convenor and presenter. Ngā Tūtaki: Encounters, AAANZ Conference 2019, University of Auckland, 3-6 December 2019.

Friction Atlas: guided tour, tour guide. The Performance Arcade, Wellington Waterfront, 2 March 2019.

Copyright in the Creative Industries., workshop session facilitator. Enjoy Public Art Gallery, 18 August 2018.

The Southern Cross Cable: Public art and New Zealand’s main internet connection with the world., conference oral presentation. NetHui 2017: Trust and Freedom on the Internet. Aotea Centre, Auckland.

The Case of the Missing Wairoa Centennial Library Mural., conference oral presentation. ArtCrime2017: The Symposium. Auditorium, City Gallery Wellington.

New cultural narratives for New Zealand’s southern cross cable Part 1: Te-Ika-a-Akoranga, conference oral presentation. National Digital Forum, 26 November 2014. Wellington, New Zealand: Te Papa Tongarewa Museum of New Zealand.

When you let go, surprising things can happen, presenter and panellist. “The Internet Future of Art, Music and Video”, National Library of New Zealand, 24 November 2014

Big Data discussion series: Growing Up Digital. panellist (panel chair: Kim Hill). Royal Society of New Zealand Lecture Theatre, Wellington, 13 March 2013, and broadcast on Radio New Zealand National, 31 March 2013.

The Readymade Revisited., presenter and panellist. Adam Art Gallery, Wellington, 3 October, in conjunction with the exhibition “Peripheral Relations: Marcel Duchamp & New Zealand Art 1960-2011”.

Making The Most Of Creative Opportunities., panellist. NetHui 2012, Sky City Convention Centre, Auckland, 13 August 2012.

[Navigating the Tangled Web of Copyright (Te Ika-a-Akoranga)](http://youtu.be/WEQnHzSJPQ)_, presenter and panel chair (panel: Prof. Susy Frankel, Sophie Jerram and Megan Tamati-Quennell). Critical Forum, Toi Rauwhārangi College of Creative Arts, Massey University.

Bronwyn Holloway-Smith and David Cross, artist talk. City Gallery Wellington, 4 May 2012.

Pioneer-City.com Public Discussion, artist talk. Film Archive MediaPlex, Wellington, 15 July 2011.

The Pioneer, art project pitch. Urban Dream Brokerage, Adam Auditorium, City Gallery Wellington, 6 May 2010.

Bibliography

Wanted: The Search For The Modernist Murals of E. Mervyn Taylor, Massey University Press, 2018. ISBN: 978-0-9941415-5-2

Among The Machines, Dunedin Public Art Gallery, Susan Ballard and the artists
Exhibition catalogue, Dunedin Public Art Gallery, 2013. ISBN 0-908910-62-2

Untitled [Ménage à Trois project publication], various contributors
Produced by TCB artinc., 2013. ISBN 978-0-9804449-3-3

Itinerant Promiscuity: A Space for Closeness [PDF], Claudia Arozqueta
Ménage à Trois exhibition catalogue, Enjoy Public Art Gallery, 2012.

At the end of the day, Richard Meros
Written response to Pioneer-City.com, Letting Space, November 2011. Published online.

Game On: A Selectors Choice of Contemporary New Zealand Artists, Jacob Scott and John Walsh
Exhibition catalogue, Hastings City Art Gallery, 2011. ISBN 978-0-473-19122-1

Utopia Hedonism, Kate Linzey
Place Makers exhibition catalogue, Massey University School of Fine Arts Litmus Research Initiative, 2011. ISBN 0-9864625-0-4

The Un-Sited: from the Wellington City Council City Art Collection, Aaron Lister
Exhibition catalogue, City Gallery Wellington, 2011.

Enjoy Recipes Illustrated, Edited by the Enjoy Trust: Amit Charan, Ann Shelton, Bronwyn Holloway-Smith, Kate Woods and Molly Samsell. Design and layout by Duncan Munro.
Enjoy Public Art Gallery, 2010. ISBN 978-0-473-18182-6

Working Title, Raewyn Martyn
Written response to Working Title at SHOW, Enzyme Publishing, 2009, pp. 92-94. ISBN 0-9582706-0-0
Available via: http://www.show.net.nz/

[S.O.S. – Save us from ourselves](http://www.enjoy.org.nz/files/BSmith.pdf)_, Mark Williams
Written response to Wildlife, Enjoy Public Art Gallery, 2007, pp. 68-71

Interview with the artists, Jessica Reid, et. al
On the occasion of An Introduction to the Theory of Everything, City Gallery Wellington, 2006

Wildlife, Bronwyn Smith and Louise Menzies in conversation
Published for the exhibition Wildlife, Enjoy Public Art Gallery, 2006. Available from Enjoy Public Art Gallery

Together/Apart: five Wellington artists explore displacement and location, Andrea Bell
Published for the exhibition Sister City, Blindside, 2006. ISBN: 0-9775235-6-X

Selected Media & Interviews

Iconic TV game show Wheel of Fortune returns for a new spin, Interview with Mark Amery, Radio New Zealand, Culture 101, 31 August 2025

Hutt artist Bronwyn Holloway-Smith recreates Avalon Studios’ Wheel of Fortune set for exhibition, Article by Melissa Nightingale, New Zealand Herald, 2 Sep 2025.

‘Wheel of Fortune’ re-spun for a new generation, Article by Chelsea Nichols, The Post, 3 Sep 2025

Bronwyn Holloway-Smith – hunting for Guy. Interview with Mark Amery, RNZ, Standing Room Only, 2 June, 2019.

Review: WANTED: The Search for the modernist murals of E. Mervyn Taylor, edited by Bronwyn Holloway-Smith. Rosa Shiels, stuff.co.nz, 22 April 2018.

In search of the missing murals of E. Mervyn Taylor. Book review, Sally Blundell, New Zealand Listener, 17 March 2018.

Another lease on life for Masterton mural. Piers Fuller, The Dominion Post, 17-18 March 2018, p.3.

Solving an art history mystery. Interview, RNZ, Nine To Noon, 6 March 2018.

City Gallery exhibition explores Kiwi identity and Bronwyn Holloway-Smith’s inquiry into digital NZ. Dani McDonald, Dominion Post, 5 March 2018.

‘Crazy journey’ to the Southern Cross Cable. Interview with Lynn Freeman, RNZ, Standing Room Only, 25 Feb 2018.

Wairoa mural mystery recounted in new book. Suzi Lewis, Wairoa Star, 3 May 2017.

Uncovering the lost murals of E. Mervyn Taylor. Interview with Lynn Freeman, RNZ, Standing Room Only, 16 October 2016.

Attempting More than Commerce? John Hurrell, EyeContact, published 30 May 2016.

Hunt for murals made by E. Mervyn Taylor in New Zealand in the 1950s and 60s. Taranaki Daily News, 28 January 2016.

Taita ‘Kumara god’ painting part of quest to honour NZ artist E Mervyn Taylor. The Hutt News, 14 January 2016.

Wairoa mural among missing New Zealand artworks. Tim Warrington, Wairoa Star, 13 January 2016.

Tile-o-file quest. Craig Beardsworth, Capital Magazine, December 2015: 27

Solving a Wellington art history mystery. Olivia Wannan, The Dominion Post, 13 November 2015.

Raise the standard. Catharina van Boheman, ArtZone magazine, Issue 61, 2015

Flag project must be led by artists, not amateurs. Ali Ikram, Weekend: NZ Herald, 22 August 2015.

National Contemporary Art Awards winner out of this world. Elton Smallman, Stuff.co.nz, 17 July 2015.

Restoration complete on long-lost art treasure. Good magazine, Mar/Apr 2015.

Histories of harm. Mary-Jane Duffy, Fish Head magazine, Issue 46: March 2015.

Secrets and Ties. Max Rashbrooke, FishHead magazine, Issue 43: November 2014.

Lost art work rediscovered. Interview with Justin Gregory, Standing Room Only, Radio New Zealand National, 1 June.

CIRCUIT CAST, hosted by Mark Amery CIRCUIT: Artist Film and Video Aotearoa New Zealand, September 2013

Postcard: Dunedin, Natalie Poland Art News New Zealand, Spring 2013 issue: Volume 33, Number 3

Technology, environment and utopia Art News New Zealand, Spring 2013 issue: Volume 33, Number 3

Australasian New Media in Dunedin, by Franky Strachan EyeContact, Published 30 August, 2013

Well worth getting ‘Among the Machines’ projections, by Peter Entwisle Otago Daily Times, Published 22 July, 2013

Among The Machines, interview with Lynn Freeman Radio NZ National: The Arts on Sunday, aired on July 14, 2013

Art For Cool’s Sake, by Todd Atticus Salient, Published 5 June, 2012

Glancing at the History of Digital Art, by Peter Dornauf EyeContact, Published 6 May, 2012

The Stubbornness of Sculpture 2, by Mark Amery EyeContact, Published 10 April, 2012

Pioneer City, by Rebecca Lancashire The Listener, Issue 3711, Published June 20, 2011

Prime real estate? Look to the sky, by Diana Dekker The Dominion Post: Your Weekend magazine, Published on June 20, 2011

Pioneer City, interview with Lynn Freeman Radio NZ National: The Arts on Sunday, Aired on June 12, 2011. Also available in Ogg Vorbis format

Exploring alternatives for our cities Art News New Zealand, Autumn 2011 issue

Location, location, location, by Robert Johnson The Wellingtonian, Published May 19, 2011

A second public art billboard project, by Alison Bartley Connecting With Art (Blog), Published March 28, 2011

3D printer deployed for the cause of art: Exhibition poses questions about technology and art, by Rob O’Neill Computerworld, 28 January 2010

Makers and their magic machines, by Rob O’Neill Sunday Star Times, p. C9, 17 January 2010

2008 – 2014, Spokesperson for Creative Freedom Foundation’s Internet Blackout Campaign. Included filmed interviews with One News, 3 News, Media7, radio interviews with RNZ National, the BBC (UK), and coverage in The Guardian (UK), The Times (UK), Los Angeles Times (US), The Wall Street Journal (USA), The Dominion Post, NZ Herald, The Press, The Otago Daily Times, NZ Listener, stuff.co.nz, Computerworld, and The National Business Review.

This is the website of Bronwyn Holloway-Smith, an artist & writer based in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand.
← art